![](https://images.prismic.io/unionpacific/YWIzMzI2ZDQtNTkzMC00ZmEyLTgzY2QtYzZmZjliZDNiNDI3_img_9525-scaled.jpg?auto=compress%2Cformat&rect=0%2C0%2C2560%2C1706&w=2560&h=1706&fit=max)
Alone time
Jin Han Lee, Xinyu Zhou, Rebecca Halliwell-Sutton & Jenine Marsh
17 Goulston Street
![](https://images.prismic.io/unionpacific/YWIzMzI2ZDQtNTkzMC00ZmEyLTgzY2QtYzZmZjliZDNiNDI3_img_9525-scaled.jpg?auto=compress%2Cformat&rect=0%2C0%2C2560%2C1706&w=2560&h=1706&fit=max)
Installation view: Alone time
![](https://images.prismic.io/unionpacific/NDQxMjNiZDMtYjE1OS00OGYzLWFjZjEtYTcxYzczMGEwYmRk_img_9529-scaled.jpg?auto=compress%2Cformat&rect=0%2C0%2C2560%2C1707&w=2560&h=1707&fit=max)
(Left) Jenine Marsh, charm for the remainder (3), 2022, Flowers, wire, coin, synthetic rubber, acrylic UV varnish, nails, 36 x 6 x 6cm (Right) Jin Han Lee, November Moon, 2022, Oil on linen, 150 x 200 cm
![](https://images.prismic.io/unionpacific/YmU0MDcwYmUtZmFhMy00Zjg5LTlhNjgtOWYzZDU4ZWVmYmI5_img_9534-scaled.jpg?auto=compress%2Cformat&rect=0%2C0%2C2560%2C1706&w=2560&h=1706&fit=max)
(Left) Jin Han Lee, November Moon, 2022, Oil on linen, 150 x 200 cm (Middle) Rebecca K. Halliwell-Sutton,
Cling into snaps of static , 2022, Aluminium, aerated concrete block, heather, photograph, 250 cm x 260 cm x 40 cm
![](https://images.prismic.io/unionpacific/MjFjMzExMjAtZjJiNS00ZWNlLTljMDEtOWU5NTkwZGRjM2Ix_img_9536-scaled.jpg?auto=compress%2Cformat&rect=0%2C0%2C2560%2C1707&w=2560&h=1707&fit=max)
(Left) Xinyu Zhou, Gone like a breeze, 2022, Acrylic, pastel, oil stick on paper mounted on board, 50 x 40cm (Middle Left) Xinyu Zhou, When i look into your eyes , 2022, Oil stick on aluminium plate, 65 x 65 cm (Middle Right) Rebecca K. Halliwell-Sutton, Sightlines, 2022, Aluminium, concrete, 52 cm x 37 cm x 40 cm (Right) Xinyu Zhou, Reading. 2, 2022, Acrylic, oil stick on wood, 120 x 150cm
![](https://images.prismic.io/unionpacific/NGU3ZmJjM2MtYWUyMy00OTAzLWE1MzctYmRlMWJmMTRjNDFm_img_9527-scaled.jpg?auto=compress%2Cformat&rect=0%2C0%2C2560%2C1707&w=2560&h=1707&fit=max)
Jin Han Lee, Meeting at Night, 2022, Oil, Acrylic, Watercolour and spray paint on linen, 150 x 200 cm
![](https://images.prismic.io/unionpacific/NGY0YTc0MjQtNzIzNS00ZmQxLWFhMjItYmY4OTQzNjUwMzRi_img_9530-scaled.jpg?auto=compress%2Cformat&rect=0%2C0%2C2560%2C1707&w=2560&h=1707&fit=max)
(Left) Jin Han Lee, Tree Man (yellow Moon), 2022, Oil on linen, 116.8 x 91 cm (Right) Jin Han Lee, Tree Man (Purple Night), 2022, Oil and acrylic on linen, 116.8 x 91 cm
![](https://images.prismic.io/unionpacific/ZDNhYjc0MWQtYmEwYS00ZGRlLWIxYWEtYjU4NGI2ZThhMjQ4_img_9535-scaled.jpg?auto=compress%2Cformat&rect=0%2C0%2C2560%2C1707&w=2560&h=1707&fit=max)
Installation view: Alone time. (Left) Xinyu Zhou, Repeat 'a page left behind no.1', 2022, Acrylic, oil stick on board. (Middle) Jenine Marsh, charm for the remainder (the (re-)construction of fully visible forms, 2022
Flowers, wire, coin, synthetic rubber, acrylic UV varnish, nails, 36 x 6 x 6cm, 70 x 90cm. (Right) Rebecca K. Halliwell-Sutton, Motes of us, 2022, Aluminium, concrete, 88 cm x 77 cm x 20 cm
![](https://images.prismic.io/unionpacific/OWQ3YzMzYTYtNzQ1Yi00YzFmLTk2NWQtOGVmN2RhZTRkNTA5_img_9538-scaled.jpg?auto=compress%2Cformat&rect=0%2C0%2C2560%2C1707&w=2560&h=1707&fit=max)
Installation view: Alone time