![](https://images.prismic.io/unionpacific/OTZhMDliMzktMjJkNC00NGY2LWI4OGQtMDk3NDYxZWRiZjUz_3-1.jpg?auto=compress%2Cformat&rect=0%2C0%2C1200%2C804&w=1200&h=804&fit=max)
A Rising Tide Lifts All Boats
Raymond Hains, Sebastian Lloyd Rees, Lucy Skaer
17 Goulston Street
![](https://images.prismic.io/unionpacific/OTZhMDliMzktMjJkNC00NGY2LWI4OGQtMDk3NDYxZWRiZjUz_3-1.jpg?auto=compress%2Cformat&rect=0%2C0%2C1200%2C804&w=1200&h=804&fit=max)
Sebastian Lloyd Rees, How Perfect Is This How Lucky We Are, 2017, railway bench, dossier, 66 x 200 x 40 cm
![](https://images.prismic.io/unionpacific/OGUwMjcyYTctYTljNy00MGFkLTkzZDUtZWZhZTM1YWI1ZDA3_9-1.jpg?auto=compress%2Cformat&rect=0%2C0%2C533%2C800&w=533&h=800&fit=max)
Lucy Skaer, The Good Ship Blank and Ballast (Force Justified 3), 2010 - 2012, 18 aluminium cast sculptures, 273 x 432 cm, dimensions variable
![](https://images.prismic.io/unionpacific/YWZiNzc1YmQtNThlMS00NmYzLWJiZTYtM2M4YjFlNzViZGY0_4-1.jpg?auto=compress%2Cformat&rect=0%2C0%2C533%2C800&w=533&h=800&fit=max)
Sebastian Lloyd Rees, How Perfect Is This How Lucky We Are, 2017, railway bench, dossier, 66 x 200 x 40 cm
![](https://images.prismic.io/unionpacific/NWQ0ZTc3MTUtN2YwNi00Mzk5LWFjMGYtNzg1NTE5MzA0OWI5_6-1.jpg?auto=compress%2Cformat&rect=0%2C0%2C533%2C800&w=533&h=800&fit=max)
Lucy Skaer, The Good Ship Blank and Ballast (Force Justified 3), 2010 - 2012, 18 aluminium cast sculptures, 273 x 432 cm, dimensions variable
![](https://images.prismic.io/unionpacific/OTFlZjY0OTEtODc0ZS00MmFiLWExNTctMmEzNTE5MTVlZTY1_8-1.jpg?auto=compress%2Cformat&rect=0%2C0%2C536%2C800&w=536&h=800&fit=max)
Lucy Skaer, The Good Ship Blank and Ballast (Force Justified 3) (detail), 2010 - 2012, 18 aluminium cast sculptures, 273 x 432 cm, dimensions variable
![](https://images.prismic.io/unionpacific/ZGUzMjNmMmQtMmZjYy00ZGM1LWI3ODMtMzhmYWQzYTQ1ZTY2_1-1.jpg?auto=compress%2Cformat&rect=0%2C0%2C1200%2C800&w=1200&h=800&fit=max)
Installation view: A Rising Tide Lifts All Boats, Union Pacific, 2017
![](https://images.prismic.io/unionpacific/OTgxNjZkMWMtMmZjYi00M2NjLTg4YmYtMTFjMmZlYTBhZDAy_2-.jpg?auto=compress%2Cformat&rect=0%2C0%2C1200%2C800&w=1200&h=800&fit=max)
Installation view: A Rising Tide Lifts All Boats, Union Pacific, 2017
![](https://images.prismic.io/unionpacific/NzM0OWY2NDEtNDI2Ny00MTlkLTkxY2UtZjhkZmY0NGQ4Mzky_5-1.jpg?auto=compress%2Cformat&rect=0%2C0%2C533%2C800&w=533&h=800&fit=max)
Sebastian Lloyd Rees, Hoarding, (Smithfield Market, 15th February 03.25 GMT - 2017), 2017, industrial paint, plywood, pollution, 200 x 170 cm
![](https://images.prismic.io/unionpacific/ZmU1M2U2NTItZTFiMi00MmU0LThjMDktYjUyYjQ2Y2I2M2Fh_7-1.jpg?auto=compress%2Cformat&rect=0%2C0%2C1200%2C800&w=1200&h=800&fit=max)
Raymond Hains, Sans Titre, 1976 torn posters on metal, 70 x 70 cm
![](https://images.prismic.io/unionpacific/YjU1MzM2MmItZDBiZi00ZDY0LWExN2UtNzI2MWNmOTIxMTA1_10-1.jpg?auto=compress%2Cformat&rect=0%2C0%2C533%2C800&w=533&h=800&fit=max)
Lucy Skaer, The Good Ship Blank and Ballast (Force Justified 3) (detail), 2010 - 2012, 18 aluminium cast sculptures, 273 x 432 cm, dimensions variable